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I figured Lance might have, like the executives at Enron, a kind of belief in winning at any cost. I was also interested in the darker side of it, sort of the "There Will Be Blood"-Daniel Day Lewis darker side of winning. I'm a sports junkie and I am interested in athletic will-how you exceed the expectations of your own performance when it counts to deliver something beyond yourself so that you can win. I was interested because I was interested in the idea of will. Lance agreed and they went to look for a director and came to me. When Lance announced his comeback, they immediately pounced and decided to do a documentary about it. Well, Frank Marshall, who is a famous film producer, and Matt Tolmach, who now produces the Spider-Man films, had been developing a fictional film based on Lance Armstrong's book "It's Not About the Bike." They had tentatively gotten Matt Damon to agree to star and they were trying to get a script but they couldn't get the script that they wanted. It teaches you something about how history works.Ĭonsidering that the film, at least in its original conception, was so radically different from the politically charged exposes you had done in the past, how did you come to sign on to do a Lance Armstrong documentary in the first place? When I went back into it, I sometimes saw a very different meaning than I might have been able to glimpse at the time. That was fun but even more intriguing was that it wasn't until a few years later that I realized what I had been photographing. One of the reasons that I wanted to take this project on was to come in and do more of an observational film-just be along for the ride and play it as it lays. Well, I think you put your finger on it-I didn't know it at the time and I think that is what made it interesting. In the case of "The Armstrong Lie," what was it like to make a film about lying in which the lies in question were still unfolding, even though you may not have known it at the time? In those cases, of course, the untruths had already begun to unravel and you were able to analyze just how they were able to develop and take hold. Many of the key documentaries that you have done have dealt in one way or another with lies and the ways in which they are conceived and cultivated.
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Gibney, who has just completed a new documentary on Nigerian singer Fela Kuti, recently got on the phone to discuss "The Armstrong Lie" and the unexpected way in which the project evolved before his eyes. Even if one's sum knowledge of the world of competitive cycling comes entirely from long-ago viewings of "Breaking Away, the film is an absolutely engrossing document of the dark side of the desire to win at all costs. The resulting film, "The Armstrong Lie," is a fascinating tale of hubris run amok and the lengths that people will go to in order to perpetuate a falsehood if the profit margin is high enough in the end. Utilizing footage shot for the original film, new interviews with journalists and former teammates who often paid a steep price for their accusations in the past and, most fascinating of all, a couple of discussions with Armstrong himself that were conducted in the immediate wake of Armstrong's much-criticized interview with Oprah Winfrey that failed to win him much sympathy with the public.
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In fact, he made that movie, "The Road Back," but just before it was ready to be released, the allegations of doping that had followed Armstrong around throughout his career finally blew up in his face-in no small part because of his insistence of making the comeback instead of quietly resting on his laurels-and left his career in tatters and Gibney without a credible movie.Īfter shelving it for a couple of years, Gibney decided to restructure the film in a way that would examine the lies that Armstrong had built his enormously profitable empire upon and why it was that so many people, Gibney included, allowed it to go on for so long even though it seems almost impossible to believe in hindsight. Therefore, when he was asked to follow cycling champion Lance Armstrong during his 2009 bid to come out of retirement in order to win an unprecedented seventh Tour de France, he signed on to make what he assumed would be a straightforward and upbeat tale of an athlete trying to regain his crown against overwhelming odds. Over the decade or so, prolific documentarian Alex Gibney has tackled such weighty subjects as economic malfeasance (" Enron: The Smartest Guys in the Room"), the war in Iraq (the Oscar-winning " Taxi to the Dark Side"), political corruption ("Casino Jack and the United States of Money"), pedophile priests in the Catholic church ("Mea Maxima Culpa: Silence in the House of God") and the controversy surrounding Wikileaks and founder Julian Assange ("We Steal Secrets: The Story of Wikileaks").
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